Emily Kunstler and Sarah Kunstler (producers/directors) run Off Center Media (www.off-center.com), a production company that produces documentaries exposing injustice in the criminal justice system. The sisters founded Off Center Media in 2000, and have produced, directed, and edited a number of short documentaries, including Tulia, Texas: Scenes from the Drug War (2002), which won Best Documentary Short at the Woodstock Film Festival, and was instrumental in winning exoneration for 46 wrongfully convicted people; and Getting Through to the President (2004), which has aired on the Sundance Channel.

Other notable Off Center Media projects include A Pattern of Exclusion: The Trial of Thomas Miller-El (2002), a documentary about racism at the trial of Miller-El, who had been on death row in Texas since 1985; The Norfolk Four: A Miscarriage of Justice (2006), about four young men in Norfolk, Virginia, who falsely confessed to a rape-murder that they did not commit; and Executing the Insane: The Case of Scott Panetti (2007). These films have contributed to campaigns to secure pardons, stay executions and convince decision makers to reopen cases. William Kunstler: Disturbing the Universe is the sisters’ first documentary feature.

Emily Kunstler graduated in 2000 from NYU’s Tisch School of the Arts with a BFA in Film and Video. She was a video producer for Democracy Now!, an independent national television and radio news program, and a studio art fellow with the Independent Study Program of the Whitney Museum of American Art in 2004.

Sarah Kunstler graduated from Yale University with a BA in Photography in 1998 and from Columbia Law School with a JD in 2004. She is currently a criminal defense attorney practicing in the Eastern and Southern Districts of New York.

The sisters were awarded the L'Oreal Women of Worth Vision Award at the 2009 Sundance Film Festival and the Special Jury Prize for Best New Filmmakers at the Traverse City Film Festival.

Jesse Moss (producer) is the founder of Mile End Films (www.mileendfilms.com), a New York-based
production company. His award winning documentaries include “Full Battle Rattle,” about the US Army’s Iraq simulation in California’s Mojave Desert. The film premiered at the 2008 Berlin International Film Festival, won the Special Jury Prize at the SXSW Film Festival, and opened theatrically at New York’s Film Forum. It is currently screening at festivals around the world. His other films include “Speedo: A Demolition Derby Love Story, (PBS/POV), and “Con Man,” (HBO/Cinemax). Prior to establishing his own production company, Moss worked as a producer for Academy Award winner Barbara Kopple and a speechwriter on Capitol Hill. He was named one of 25 New Faces of Independent Film by Filmmaker Magazine in 2003.

Susan Korda (producer) has worked as a writer, director and editor on documentary and narrative films, including The Sweetest Sound (2002), Trembling Before G-d (2001), One of Us (1999), Vienna Is Different (1989) and the Academy Award nominated For All Mankind (1989). She was born in New York and raised in New York and Vienna, Austria. Between 1979 and 1984 she studied at the City College of New York/Picker Film Institute. She made her first film, Filial Dreams, in 1983. Since then she has been working as a director and editor and been teaching at NYU's Tisch School of the Arts and the International Filmschule, Cologne.

Vanessa Hope (executive producer) started her film career producing in China on Wang Quanan’s film The Story of Ermei which debuted in Berlin 2004. Vanessa collaborated with Original Media when they produced the Oscar-nominated films, The Squid and the Whale and Half Nelson. Returning to China in 2006, Vanessa produced a photography series about contemporary artists, Film Stills of the Mind, and a short film, Tombee de Nui Sur Shanghai by Chantal Akerman. Recently, Vanessa produced a narrative feature film set in New York, The Imperialists Are Still Alive! by Zeina Durra and associate produced another New York feature, Twelve by Joel Schumacher. She is currently directing a documentary in China about US-China relations past, present and future called Soft Power.

Tracy Bunting (associate producer) graduated from the University of California, Berkeley in 2005 with a BA in History and from NYU with an MA in Archives and Public History in 2008. In 2005, Tracy worked with co-artists Amy Larimer and Peter Bernheim on their sculpture, 12151791, for the McCormick Freedom Museum. Now an Associate Producer on the film, Tracy joined the Disturbing the Universe team in 2007.

Andrew Lutsky (associate producer) completed an M.A. in education at Columbia University's Teachers College in 2003 and has taught in New York City public schools for thirteen years. He is also a videographer. He joined Disturbing the Universe in 2007 and currently is coediting an oral history reader as part of the film's educational outreach.

Brett Wiley (director of photography) has been a documentary cameraman since 1992. He was the Director of Photography on four special editions for Bill Moyers, two of which were nominated for Emmy Awards. Wiley was the cinematographer for three documentaries accepted to the Sundance Film Festival: Sound and Fury (nominated for an Academy Award), Let the Church Say Amen and Why We Fight (winner of the Sundance Jury Award for Best Documentary).

Martina Radwan (director of photography) has worked as a Director of Photography for feature films and documentaries since 1995. Ferry Tales, a documentary short she shot in collaboration with Katja Esson, was nominated for an Academy Award in 2004. Her current documentary projects include Through a Lens Darkly by award winning director Thomas Allan Harris and Poetry of Resilience and Skywalker, both by Katja Esson.

Shahzad Ismaily (composer) is a composer and performer living in New York City. He was recently artist-in-residence at Headlands Center for the Arts, the Sundance Institute (film composer’s lab) and UC Berkeley. He composed the score for the film Frozen River, winner of the Sundance Grand Jury Prize. He performs and records regularly with Marc Ribot, Jolie Holland, Laurie Anderson, Will Oldham, John Zorn, Raz Mesinai, and Yoko Ono.

Jon Alpert (project advisor) is an award-winning documentary filmmaker and has produced groundbreaking films on Cuba, Vietnam, Iran, Afghanistan, Nicaragua, the Soviet Union, Tiananmen Square in China and the homeless in America. In addition to his work as a filmmaker and journalist, Alpert serves as co-director of the Downtown Community Television Center (DCTV) in New York City, a non-profit organization that trains over 2000 students in video project each year.

Diane Christian and Bruce Jackson (project advisors) are SUNY Distinguished Professors at SUNY Buffalo, and have produced numerous documentaries, many of which deal with race and criminal justice: Afro-American Worksongs in a Texas Prison (30 min., 1966); Services Rendered (60 min., 1979); Death Row (60 min., 1979); Robert Creeley: Willy’s Reading (16 min., 1982) William August May (18 min., 1982); Out of Order (89 min., 1983); and Creeley (59 min., 1988).

Cast:
Herman Badillo
Dennis Banks
Harry Belafonte
Clyde Bellecourt
Father Daniel Berrigan
Phil Donahue
Jimmy Breslin
Alan Dershowitz
Elizabeth Fink
Jean Fritz
Karin Kunstler Goldman
Tom Hayden
Bruce Jackson
Gregory Joey Johnson
Ron Kuby
Margaret Ratner Kunstler
William Kunstler
Nancy Kurshan
Gerald Lefcourt
Rev. Vernon C. Mason
Bill Means
Michael Ratner
Paul Red
Yusef Salaam
Bobby Seale
Barry Slotnick
Michael Smith
Lynne Stewart
M. Wesley Swearingen
Madonna Thunderhawk
Len Weinglass

In William Kunstler: Disturbing the Universe filmmakers Emily Kunstler and Sarah Kunstler explore the life of their father, the late radical civil rights lawyer. In the 1960s and 70s, Kunstler fought for civil rights with Martin Luther King Jr. and represented the famed “Chicago 8” activists who protested the Vietnam War. When the inmates took over Attica prison, or when the American Indian Movement stood up to the federal government at Wounded Knee, they asked Kunstler to be their lawyer.

To his daughters, it seemed that he was at the center of everything important that had ever happened. But when they were growing up, Kunstler represented some of the most reviled members of society, including rapists and assassins. This powerful film not only recounts the historic causes that Kunstler fought for; it also reveals a man that even his own daughters did not always understand, a man who risked public outrage and the safety of his family so that justice could serve all.